Javali

The word "Jāvaḷi" is derived from the Kannaḍa word "Jāvaḍi" which means lewd poetry. The jāvaḷi came into existence in the nineteenth century. While Padham is dignified and deals mostly with love for god / love of god, the Jāvaḷi is a much lighter form and is erotic in nature. The themes revolve around human relationships and are very sensuous. The tunes are light, catchy and appealing owing to which the Javalis are popular. The language is colloquial. The music in Jāvaḷi sis lighter, the language is colloquial and a lot of humor and satire is employed.

Padhams and Jāvaḷi are scholarly compositions in the classical genre on the theme of Śhrungāra Rasa, depicting the Nāyaka Nāyaki bhāva. Padhams are dignified compositions, describing Madhhura Bhakthi, sung in slow tempo which requires immense skill and expertise to master. Jāvaḷis are dazzling pieces which are sung in a faster tempo.

Padhams and Jāvaḷi are performed in the second half of a dance concert. Jāvaḷis treat love in a lighthearted manner. The poetry and the music selected are catchy. As Padhams, Jāvaḷi too are love songs. Jāvaḷi are sung mostly in the Nāyaka, Nāyaki and Sakhi bhāvas. Jāvaḷi talk of love that is worldly and human. In the poetry one will find the character craving for the love of a person full of human and worldly desires and motives. While dealing with human relationships, sometimes the Jāvaḷis contain contents of sensuous and erotic nature.

Bhāvagīthe (Light Music)

Sanjegenna Payaṇavendu Thiḷidalenna Sundhari

Nanna Mundhe Bandhu Nindhu Thadadalenthu Vinayadhi

Kempu Thuṭigaḷindha Harisi Nuḍiyalilla Nijavanu

Theredha Kangaḷudhaka Surisi Thoḷedhuvenna Manavanu

Kaṇṇa Haniyu Maṇiya Tharadhi Kaṇṇinodave Āyithu

Thuṭige Bandha Māthu Thirugi Bandha Kaḍege Hoyithu

Mugila Hindhe Hagalu Jāri Honnabeḷakanereyithu

Mounadhoḷage Prema Thōri Hambala Maḷegereyithu

Nalle Muḍidha Molleyarḷlu Ille Nillirendhithu

Oregaṇṇinondha Horaḷu Hogabéḍirendhithu

Iruḷanella Kaḷeyalilla Appimutthanotthalilla

Kaṇṇanīranoresalilla Oraṭanādhenethake?

Sarasa Virasavāyithella Horaṭubandhenethake?

Meaning:

Sanjegenna Payaṇavendhu Thiḷidaḷenna Sundhari

Nanna Mundhe Bandhu Nindhu Thadadalenthu Vinayadhi

Sanjege enna – Evening My;

Payaṇavendhu – Journey; 

Thiḷidaḷu– Came To Know;

enna - My;

Sundhari – Beautiful Beloved;

Nanna Mundhe – Front Of Me;

Bandhu Nindhu – Came And Stood;

Thaḍadhalenthu – Stopped Me;

Vinayadhi – With Humbleness

My beautiful beloved came to know about my evening’s plan of travel; She came and stood in front of me with and stopped me in all her humbleness.

Kempu Thuṭigaḷindha Harisi Nuḍiyalilla Nijavanu

Theredha Kangaḷudhaka Surisi Thoḷedhuvenna Manavanu

Kempu – Red;

Thutigalinda – Lips;

Harisi – Wished Me;

Nudiyalilla – Didn’t Speak;

Nijavanu – Truth;

Tereda - Opened Kangala – Eyes;

Udhaka – Tears;

Surisi – Flowed;

Tholeduvu Yenna = Washed My;

Manavanu – Heart/Mind

My heart sank when i saw tears overflowing from her big beautiful eyes. Her beautiful red lips wished me but didn’t speak the truth ( The truth is that she didn’t want him to leave).

Kaṇṇa Haniyu Maṇiya Tharadhi Kaṇṇinodave Āyithu

Thuṭige Bandha Māthu Thirugi Bandha Kaḍege Hoyithu

Kanna Haniyu – Tear Drops;

Maniya Tharadi – Like A Pearl;

Kanninodaveaayithu – Became A Jewel For The Eye;

Thutige – To My Lips; Bandha – That Came;

Maathu – Words;

Thirugi Bandha Kadege Hoyithu – Went Back From Where It Came;

The tear drops became a jewel for her eyes; the words that came to her lips went back (she wanted to tell something. but she didn’t say it. she remained silent)

Mugila Hindhe Hagalu Jāri Honnabeḷakanereyithu

Mounadhoḷage Prema Thōri Hambala Maḷegereyithu

Mugila Hinde – Behind Clouds;

Hagalu Jaari – Day Slipped;

Honna – Golden;

Belakanereyithu – Light Spread;

Mounadolage – In Silence;

Prema Thori – Love Showed;

Hambala ; Desire;

Malegereyithu – Rain Showered;

The day light went behind the clouds (the sun set). A beautiful golden hue was spread in the sky; the rain of desire of love showered on us in silence.

Nalle Muḍidha Molleyarḷu Ille Nillirendhithu

Oregaṇṇinondha Horaḷu Hogabéḍirendhithu

Nalle Girl;

 Muḍidha– Kept;   Molleyaralu– Jasmine Flowers; 

Ille – Here; Nillirendhithu –told me to stay;

Oregaṇṇina -- Corner of Her Eyes;

ondha Horaḷu– One Glance;  Hogabéḍi– Don’t Go;

endhithu– It Said.

The jasmine flowers that she had kept in her hair told me to stay here; a glance from the corner of her eyes told me not to go.

Iruḷanella Kaḷeyalilla Appimutthanotthalilla

Kaṇṇanīranoresalilla Oraṭanādhenethake?

Sarasa Virasavāyithella Horaṭubandhenethake?

Iruḷanella – Night;

Kaḷeyalilla – Didn’t Spend;

Appi - Tight Hug;

Muttha - Kiss;

Otthalilla – give;

Kaṇṇanīra - Tears;

Oresalilla- Didn’t Wipe;

 Oraṭanādhe - Harsh/ Rude, I Became;

Ethake-– Why?

Sarasa –love;

 Virasa – break in love;

āyithella –

Horaṭubandhe - Left And Came;

Ethake? – Why

 I didn’t spend the night there with her; I didn’t give her a hug and kiss her; I didn’t wipe her tears away; I became rude! Alas! The love has become bitter; why did I leave her and come? Why?

Note: We have to understand that Rasa Is Birth, Virasa Is Death.  

Rāga: Mōhana

Thāḷa: Rūpaka

Composer: Narasimhaswāmi

Language: Kannaḍa

Meanings – Word by word: Indhirā Kaḍambi

Meanings – Overall: Indhirā Kaḍambi

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Bhāvagīthe (Light Music)

Sanjegenna Payaṇavendu Thiḷidalenna Sundhari

Nanna Mundhe Bandhu Nindhu Thadadalenthu Vinayadhi

Kempu Thuṭigaḷindha Harisi Nuḍiyalilla Nijavanu

Theredha Kangaḷudhaka Surisi Thoḷedhuvenna Manavanu

Kaṇṇa Haniyu Maṇiya Tharadhi Kaṇṇinodave Āyithu

Thuṭige Bandha Māthu Thirugi Bandha Kaḍege Hoyithu

Mugila Hindhe Hagalu Jāri Honnabeḷakanereyithu

Mounadhoḷage Prema Thōri Hambala Maḷegereyithu

Nalle Muḍidha Molleyarḷlu Ille Nillirendhithu

Oregaṇṇinondha Horaḷu Hogabéḍirendhithu

Iruḷanella Kaḷeyalilla Appimutthanotthalilla

Kaṇṇanīranoresalilla Oraṭanādhenethake?

Sarasa Virasavāyithella Horaṭubandhenethake?

Meaning:

Sanjegenna Payaṇavendhu Thiḷidaḷenna Sundhari

Nanna Mundhe Bandhu Nindhu Thadadalenthu Vinayadhi

Sanjege enna – Evening My;

Payaṇavendhu – Journey; 

Thiḷidaḷu– Came To Know;

enna - My;

Sundhari – Beautiful Beloved;

Nanna Mundhe – Front Of Me;

Bandhu Nindhu – Came And Stood;

Thaḍadhalenthu – Stopped Me;

Vinayadhi – With Humbleness

My beautiful beloved came to know about my evening’s plan of travel; She came and stood in front of me with and stopped me in all her humbleness.

Kempu Thuṭigaḷindha Harisi Nuḍiyalilla Nijavanu

Theredha Kangaḷudhaka Surisi Thoḷedhuvenna Manavanu

Kempu – Red;

Thutigalinda – Lips;

Harisi – Wished Me;

Nudiyalilla – Didn’t Speak;

Nijavanu – Truth;

Tereda - Opened Kangala – Eyes;

Udhaka – Tears;

Surisi – Flowed;

Tholeduvu Yenna = Washed My;

Manavanu – Heart/Mind

My heart sank when i saw tears overflowing from her big beautiful eyes. Her beautiful red lips wished me but didn’t speak the truth ( The truth is that she didn’t want him to leave).

Kaṇṇa Haniyu Maṇiya Tharadhi Kaṇṇinodave Āyithu

Thuṭige Bandha Māthu Thirugi Bandha Kaḍege Hoyithu

Kanna Haniyu – Tear Drops;

Maniya Tharadi – Like A Pearl;

Kanninodaveaayithu – Became A Jewel For The Eye;

Thutige – To My Lips; Bandha – That Came;

Maathu – Words;

Thirugi Bandha Kadege Hoyithu – Went Back From Where It Came;

The tear drops became a jewel for her eyes; the words that came to her lips went back (she wanted to tell something. but she didn’t say it. she remained silent)

Mugila Hindhe Hagalu Jāri Honnabeḷakanereyithu

Mounadhoḷage Prema Thōri Hambala Maḷegereyithu

Mugila Hinde – Behind Clouds;

Hagalu Jaari – Day Slipped;

Honna – Golden;

Belakanereyithu – Light Spread;

Mounadolage – In Silence;

Prema Thori – Love Showed;

Hambala ; Desire;

Malegereyithu – Rain Showered;

The day light went behind the clouds (the sun set). A beautiful golden hue was spread in the sky; the rain of desire of love showered on us in silence.

Nalle Muḍidha Molleyarḷu Ille Nillirendhithu

Oregaṇṇinondha Horaḷu Hogabéḍirendhithu

Nalle Girl;

 Muḍidha– Kept;   Molleyaralu– Jasmine Flowers; 

Ille – Here; Nillirendhithu –told me to stay;

Oregaṇṇina -- Corner of Her Eyes;

ondha Horaḷu– One Glance;  Hogabéḍi– Don’t Go;

endhithu– It Said.

The jasmine flowers that she had kept in her hair told me to stay here; a glance from the corner of her eyes told me not to go.

Iruḷanella Kaḷeyalilla Appimutthanotthalilla

Kaṇṇanīranoresalilla Oraṭanādhenethake?

Sarasa Virasavāyithella Horaṭubandhenethake?

Iruḷanella – Night;

Kaḷeyalilla – Didn’t Spend;

Appi - Tight Hug;

Muttha - Kiss;

Otthalilla – give;

Kaṇṇanīra - Tears;

Oresalilla- Didn’t Wipe;

 Oraṭanādhe - Harsh/ Rude, I Became;

Ethake-– Why?

Sarasa –love;

 Virasa – break in love;

āyithella –

Horaṭubandhe - Left And Came;

Ethake? – Why

 I didn’t spend the night there with her; I didn’t give her a hug and kiss her; I didn’t wipe her tears away; I became rude! Alas! The love has become bitter; why did I leave her and come? Why?

Note: We have to understand that Rasa Is Birth, Virasa Is Death.  

Rāga: Pharas

Thāḷa: Ādhi

Composer: Bhīmeśha Viṭṭhala

Language: Kannaḍa

Meanings – Word by word: Indhirā Kaḍambi

Meanings – Overall: Team Ambalam

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Sarasapriyana Mareyadhe Sakhi Thiḷiyadhe Nā Mōsahodhe

Charaṇam 1:

Āthuradhali Savi Māthugaḷige Manasothavanige Nā Maruḷādhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Charaṇam 2:

Puruṣhara Jāladha Ariyadhe Mohisi Ī Śharagalige Nā Guriyādhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Charaṇam 3:

Sarasa Bhimeśhana  Arithu Berethu Bahaḷa Avanige Na Silukidhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Sarasapriyana Mareyadhe Sakhi Thiḷiyadhe Nā Mōsahodhe

Sarasapriyana – Beloved; Mareyadhe- Cannot Forget;

 Sakhi – Friend; 

Thiḷiyadhe– Unknowingly; Nā– I; Mōsahodhe– Got Cheated.

O friend, I unknowingly got cheated, by my beloved and am unable to forget him.

Charaṇam 1:

Āthuradhali Savi Māthugaḷige Manasothavanige Nā Maruḷādhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Āthuradhali– In Haste; Savi – Sweet;

 Māthugaḷige– Talks; Manasothu– Fell For Him;

avanige– For Him;

 Nā –I; Maruḷādhe– Became Deluded;

 Sakhi– Friend; Thiḷiyadhe– Unknowingly;

 Nā– I; Mōsahodhe– Got Cheated.

O friend, I unknowingly got cheated, as I fell for him in haste due to his sweet words and became deluded.

Charaṇam 2:

Puruṣhara Jālava Ariyadhe Mohisi Ī Śharagalige Nā Guriyādhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Puruṣhara Jālava Ariyadhe Mohisi Ī Śharagalige Nā Guriyādhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Puruṣhara– of Men;

 Jālava – cunningness;

Ariyadhe- didn’t realize;

 Mohisi– loved him;

 Ī – This; Śharagalige- Arrows; 

Nā– I; Guriyādhe– became victim;

 Sakhi-Friend
Thiḷiyadhe-Unknowingly;

 Na– I; Mōsahodhe– got cheated.

O friend, I unknowingly got cheated, as I did not realize the cunningness of men. I loved him and became the victim of the arrows (of Cupid).

Charaṇam 3:

Sarasa Bhimeśhana Arithu Berethu Bahaḷa Avanige Na Silukidhe Sakhi
Thiḷiyadhe Na Mōsahodhe

Sarasa Bhimeśhana - Charming Bhimeśha; Arithu - having known him;

 Berethu– Being with Him;

 Bahaḷa Avanige Na– I; Silukidhe– Got Caught; Sakhi- Friend

Thiḷiyadhe– Unknowingly; Nā-– I;

 Mōsahodhe– Got Cheated.

O friend, I unknowingly got cheated, as I got to know him, be with him and got caught with him.

Rāga: Behāg

Thāḷa: Rūpakam

Composer: Swāthi Thirunāḷ

Language: Thelugu

Meanings – Word by word: Rasikas Org.

Meanings – Overall: Rasikas Org.

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Sāramaina Māṭalandha Chālu Chālu Rā

Anupallavi:

Sarasākṣha Mīmenthō Santhośhamu Mélu

Charanam 1

Somuḍu Dhayāmayanemi Sudathiki Mahā Bhāgyam ayane Kāmakoṭi

Sundhara Mā Bhāgyam iṭulayane

Charanam 2

Manavi Vinara Sāmi Ninnu Nammiyunnānu Māremi Ghanuḍaina

Śheṣunīvai Vélāyu Śhrī Padhmanābha

Meaning:

Pallavi

Saramaina Matalento Calu Calu Ra

My Lord, There Are So Many (Ento)

Wonderful/Excellent (Saramu Aina = Saramaina)

Words (Matalu)

That You Are Throwing At Me, Please Stop (Calu Calu)

My Lord, There Are So Many Wonderful/Excellent Words That You Are Throwing At Me, Please Stop!

Note: This Javali Is A Conversation Between The Nayika And Her Lover Who Is Probably Trying To Defend His Actions For Having Ignored Her - And Tries To Make Clever Arguments When She Intervenes And Asks Him To Stop Throwing Such Appropriate Words

Anupallavi

Sarasaksa Mimento Santosamu Melu

Oh Lotus (Sarasa)

Eyed (Aksha) One!

Because Of You (Mimu)

My Happiness (Santoshamu)

Is Increasing (Melu) To Unimagined Heights.

Oh Lotus Eyed One! Because Of You My Happiness Is Increasing To Unimagined Heights.

Charanam 1

Somudu Dayamayanemi Sudatiki Maha Bhagyamayane

Kamakoti Sundara Ma Bhagyamitulayane

I Am Indeed Enormously (Maha)

Fortunate (Bhagyamayane)

That The Moon (Somudu)

Is So Kind (Dayamemi)

To This Woman (Sudatiki) !

Oh Lord Who Is More Handsome (Sundara)

Than Countless (Koti = Crores)

Manmathas (Kama)!

See How Our (Ma)

Fortune (Bhagyamu)

Has Become (Ayane)

So (Itulu)!

I Am Indeed Enormously Fortunate That The Moon Is So Kind To This Woman !

Oh Lord Who Is More Handsome Than Countless Manmathas! See How Our Fortune Has Become So!

Charanam 2

Manavi Vinara Sami Ninnu Nammiyunnanu Maremi

Ghanudaina Shesunipai Velayu Shri Padmanabha

My Lord (Sami)

Please Hear (Vinara)

My Hearfelt Request (Manavi)!

Oh Mighty (Ghanudaina) Sri [2]

Padmanabha,

Who Reclines (Velayu)

Atop (Pai)

Adisesha (Seshuni),

I Am Depending (Nammi Unnanu) 

On You, Do Not Forget Me (Maremi) .

My Lord, Please Hear My Heartfelt Request! Oh Mighty Sri Padmanabha, Who Reclines Atop Adisesha I Am Depending On You, Do Not Forget Me.

Notes:

[1] Ra – Is A Term Of Familiarity, Like Da, Or Adi In Tamizh

[2] Sri Padmanabha – Could Also Be Interpreted As The Lotus (Padma)-Naveled (Nabha) One Along With His Consort Lakshmi (Sri)

[3] Literal Meaning Of 'Nammi Unnanu' Is 'Living/Existing (Unnanu) By Placing One's Belief (Nammi)'

Rāga: Senjuruṭi

Thāḷa: Ādhi

Composer: Dhharmapuri Subbarāyar

Language: Thelugu

Meanings – Word by word: Team Ambalam

Meanings – Overall: Rasikas Org.

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Sakhi Prāṇa Sakhudhiṭu Jesene

Charanam 1:

Idhigo Vacchedhanāni Hithavuga Māṭalāḍi Aladani Nidu Cerene

Charanam 2:

Nāna Vilutuni Porulaku Pilachhite Vāḍu Anarani Maṭalāḍane

Charanam 3:

Munu Nannu Kalasi Marmamulerigina Dhharmapuri Vāsuḍu Marachene

Pallavi:

Sakhi Prana Sakhuditu Jesene

Sakhi -O Friend !; Prana – dear most;

Sakhudu – friend; itu –like this;

Jesene – he has done;

Oh Friend! Look What My Soul Mate Has Done!

Charanam 1:

Idigo Vaccedanani Hitavuga Mataladi Aladani Nida Cerene

Idigo –just now; Vaccedanani –will be coming;

 Hitavuga – sweetly; Mataladi – saying so;

 Aladani – the other one;  Nida -  Cerene -

He Sweetly Told Me That He Would Just Come Back And Then Took The Other Lady's Shelter

Charanam 2:

Nana Vilutuni Porulaku Pilacite Vadu Anarani Mataladane

Nana – me; Vilutuni – love game; Porulaku – to play;

Pilacite – when I called; Vadu – he;

Anarani – abusive; Mataladane –talks so;

He Abused Me When I Invited Him For The Manmatha's Games

Charanam 3:

Munu Nannu Kalasi Marmamulerigina Dharmapuri Vasudu Maracene

Munu – earlier; Nannu – me;

 Kalasi – to be with; Marmamu – secret;

Erigina – to know; Dharmapuri –place called Dhharmapuri;

Vasudu – belonging to the; Maracene – has forgotten;

The Dharmapuri Vasa, Who Was With Me Earlier And Knows All My Secrets, Has Forgotten Me.

Rāga: Behag

Thāla: Rupakam

Composer: Patnam Subrahmanya Iyer

Language: Telugu

Meanings – Word by word: Rasikas Org.

Meanings – Overall: Rasikas Org.

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Samayamide Ra Ra Na Sami Tamasimcakura

Anupallavi:

Kamalavairi Canudemcina Kamksha Iideradura

Charanam 1:

Magadu Ura Ledu, Na Mamagari Joli Ledu,

Vaga Telisinadiga, Vatti Pamta Melara !

Charanam 2:

Mannanace Niivu Vacci, Nannu Gudi Yumdinatlu

Ninna Reyi Kala Gamti, Niirajaksha Vemkatesa

Meanings: Rasikas.Org

Pallavi:

Samayamide Ra Ra Na Sami Tamasimcakura

My Lord, [Na Sami]

Do Not Delay! [Tamasimcakura],..

Come Come! [Ra Ra]

Now Is The Time! [Samayamidera]

Anupallavi:

Kamalavairi Canudemcina Kamksha Iideradura

If The Moon [Kamalavairi]

Comes Up [Canudemcina],

My Desire [Akanksha]

Will Not Be Fulfilled [Iideradura]!

Charanam 1:

Magadu Ura Ledu, Na Mamagari Joli Ledu,

Vaga Telisinadiga, Vatti Pamta Melara !

My Husband [Magadu]

Is Not In Town [Ura Ledu],

And No Interference [Joli Ledu]

From My Inlaw[Na Mamagari]!

You Know [Telisinadiga]

The Way [Vaga],

Why This Vain [Vatti]

Obstinacy

[Pamta Melara]?

Charanam 2:

Mannanace Niivu Vacci, Nannu Gudi Yumdinatlu

Ninna Reyi Kala Gamti, Niirajaksha Vemkatesa

O Lotus Eyed [Niirajaksha]

Venkatesa!

Yesterday [Ninna]

Night - Reyi,

I Dreamt [Kala Gamti]

That You [Niivu]

Came [Vacci]

With Due Courtesy [Mannanace]

And Stayed With Me [Gudi Yumdinatlu].

Rāga: Kāpi

Thāḷa: Ādhi

Composer: Pūchi Srinivāsa Iyengar

Language: Thelugu

Meanings – Word by word: Rasikas Org.

Meanings – Overall: Rasikas Org.

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Sarasamu Lādhedhandhuku Samayamidhi Gādhura Sāmi

Anupallavi:

Virasamutho Nā Inṭi Vārulunnāru Vidhithamu Gaka Nakona Gudina Vela Na Dhora

Charanam1:

Niga Niga Vennala Kayucunnadhi Nikkamuga

Itula Chesedhi Nīku Thagadhura I Vidhilonaccuvaru Tathlunnadi

Charanam 2:

Ékanthamuga Jeruguna Sangathi Enṭaina Baiṭa Padedi Nyāyama

Śhrikantha Nikela Inṭa Durammu Śhrīnivāsārcitha Bavi Nilu Veli Konadhura

Pallavi

Sarasamu Ladedanduku Samayamidi Gadura Sami

Sarasamu = Romance

Ade = Play

Anduku = For That Reason

Sarasamuladetanduku = (Sarasamu + Ade + Anduku)

Samayamu = Time

Idi = This

Gadura = (Kadura) = Not

Na = My

Sami = Lord 

This Is Not To The Time To Play Romance My Lord.

Anupallavi:

Virasamuto Na Inti Varulunnaru Viditamu Gaka Nakona Gudina Vela Na Dora

Virasamuto = With Ill-Will

Na = My

Intivaralu = People At Home

Nannu = Me

Viditamuga = With The Knowledge

Kanugonagudina = Reason To Find Out

Vela = Time

Nato = With Me

At A Time When The People At My Home, With Ill-Will Have A Reason To Find This Out.

Charanam1: 1:

Niga Niga Vennala Kayucunnadi Nikkamuga

Itula Cesedi Niku Tagadura I Vidilonaccuvaru Tatlunnadi

Niganiga = Brightly

Vennela = Moonlight

Kayucunnadi = Shining

Nikkamuga = Truly

Itula = This Way

Jesedi = To Do

Niku = For You

Tagadura = Not Befitting

I = This

Vidhilo = In The Street

Vaccuvaru = Those Who Come

Talanani = That I Cannot Bear

Nice = (Ni + Ceta) = With You

Cinnanavvi = With A Smile

Tittuduru = They Scold

Ganuka = Because Of That (So)

The Moon Is Shining Brightly, Truly Is This Befitting You Because People Who Pass The Street Scold With A Smile That I Cannot Bear.

Charanam 2:

Ekantamuga Jeruguna Sangati Entaina Baita Padedi Nyayama

Shrikanta Nikela Inta Durammu Shrinivasarcita Bavi Nilu Veli Konadura

Ekantamuga = In Solitude / In Secrecy

Jarigina = That Happened/ Took Place

Sangati = The Thing

Entaina = By Any Means

Baitapadedi = To Be Revealed

Nyayama = Is It Just

Nikela = Why Is It For You

Inta = This

Duramu = Distance

Bavi = Well

Nillu = Water

Vellikonadira = Inundated

(Vellikolupu = To Inundate)

Is It Just For You To Reveal The Thing That Took Place In Our Secrecy. Why Is This Distance Shrikanta, Well Water Has Inundated.

Rāga: Faras

Thāla: Adi

Composer: Dharmapuri Subarayar

Language: Telugu

Meanings – Word by word: Rasikas Org.

Meanings – Overall: Rasikas Org.

Alignment, Diacriticals & consequent spelling changes, Language & grammar editing, if any and necessary, of existing meaning: Team Ambalam

Pallavi:

Smara Sundaranguni Sari Evvare Sarasa Kotilona Vajiru Hamire

Charanam1:

Adina Matala Kaddamu Palukade E Cediyanaina Kanulara Judade

Charanam 2:

Vinula Kimpuga Vina Vayinci Aliveni Ne Padina Sebhashiccune

Charanam 3:

Dharanilo Rati Delcu Udara Shri Dharmapuradhipu Dainatti Ma

Meanings: Rasikas.Org

Pallavi:

Smara Sundaranguni Sari Evvare Sarasa Kotilona Vajiru Hamire

Smara Sundaranguni – Beautiful As Manmatha(Cupid)

Sari Evvare = Who Is Equal To (Him Who Is As Beautiful As Cupid?

Sarasa Kotilona Vajiru Hamire = Among The Multitude Of Gentlemen, He Is A Prince!

Charanam1:

Adina Matala Kaddamu Palukade E Cediyanaina Kanulara Judade

Adina Matala Kaddamu Palukade = For Words Uttered, (He) Does Not Speak Obstructively,

E Cediyanaina Kanulara Judade = (He) Does Not Stare At Any Lady, Does Not Look Long With Full Open Eyes At Any Lady!

Charanam 2:

Vinula Kimpuga Vina Vayinci Aliveni Ne Padina Sebhashiccune

Vinula Kimpuga Vina Vayinci = Playing Viina In A Pleasing Way To The Ears

Aliveni Ne Padina = When I, Beetressed Nymph Like Woman, Sing

Sebhashiccune = (He) Proclaims 'Sebhash' .

Original Words: Ali Venulella Padina = When All Ladies Sing,

Charanam 3:

Dharanilo Rati Delcu Udara Shri Dharmapuradhipu Dainatti Ma

Dharanilo = On Earth

Rati Delcu = (He Who) Causes (Us) To Succeed In Passion

Udara = Generous, Shri Dharmapuradhipu

Dainatti Ma = Our King Of Dharmapuri, To Him, Who Is Equal?